One of my seminary professors, a systematic theologian named Dr. Richard Lints, told me that all good theology begins in Genesis 1. If this is true, which I believe that it is, then we must think about Genesis 1 correctly if we are going to think appropriately about God. This first chapter of Scripture lays the foundation for the way in which we understand God. It’s no wonder, then, that this is one of the most contentious and hotly-debated texts in all of Scripture. Coupled with the trajectory of modern science since the publication of Darwin’s Origin of the Species, the interpretation of Genesis 1 has served for many as a litmus test for true belief. Yet even within evangelicalism, there is a vast spectrum of belief on this text, ranging from Biologos to Answers in Genesis, and many in between.

There are many different ways to interpret Genesis 1, just as there are many different ways to interpret, for example, the book of Revelation, or Daniel, or the Psalms. It is worth noting, though it should go without saying, that people who love Jesus very much can come into sharp disagreement over the interpretation of biblical passages–especially Genesis 1. The litmus test for true belief, however, is not what one believes about Genesis 1, but whether or not one believes the Gospel–that Jesus died for our sins and rose again. With that said, I’d like to lay out what I take to be the meaning of Genesis 1.

What God Wanted to Say

The first and most important question we must ask with any biblical text is this: What did God intend to communicate through the original author to the text’s intended audience? We ask this question because the meaning of a text cannot change. As Fee & Stuart have written in their excellent work, How to Read the Bible for All Its Worth, “The Bible cannot mean what it never meant.” While personal and communal applications of a text may change across time and culture, the meaning of a text does not change.

So when it comes to Genesis 1, we must ask the question: What did God intend to communicate through Moses (or Abraham, or Ezra, or whoever actually wrote the passage) to the Hebrew people in the hymn that is Genesis 1? Approaching the question this way, one thing should come immediately to mind: Moses did not write Genesis 1 as a polemic against Darwinian evolution. Darwin’s book was published roughly 3,000 years after Genesis 1, so to assume that this text is about evolution/creation is to commit an historical anachronism of the first order. It’s simply not possible. 

When we step into the culture of the Ancient Near East (which you can’t physically do, but two books, The Lost World of Genesis One and The Bible Among the Myths, can help you understand a great deal more about it) we see that Genesis 1 is not a polemic against Darwinian Evolutionary Theory or naturalistic materialism; it is, however, a polemic against pagan pantheism. The real problem that Genesis 1 sets out to address is not the mechanism by which God created the universe, but rather which god is the true creator.

In fact, the unique genius of Genesis 1 is that it presents a monotheistic theology of creation that holds humanity in high esteem. Typically, the creation myths of Israel’s neighbors presented a pantheistic (many gods) view of creation with the heavens and the earth being the byproduct of some cosmic war. In this pagan scenario, humanity is an unwelcome addition to this world of chaos, thereby establishing their bottom-rung value in the universe, useful for little more than serving the needs of the gods.

But in Genesis 1 we get something radically different. We see a singular God speaking the heavens and the earth into being by himself and on purpose. What is more, in this story humanity is the pinnacle of creation, bearing the very image of this all-powerful, speaking Creator God, who called humans “very good.” Even more radical than this, the text declares that God created humanity male and female, meaning that women have as much inherent, created dignity, worth, and purpose as men. You might say that Genesis 1 erases and rewrites everything–EVERYTHING–that Hebrews, inundated by Ancient Near Eastern cultural values, knew about creation, divinity, and themselves. It may just be the most powerful, worldview-deconstructing and -reconstructing text ever written.

Imagine that you are a Hittite, or an Egyptian, or a Babylonian living around 1400 BC. You believe in many gods, and they are all powerful, vengeful, angry, and often possess little or no moral character. They are strong, but they are not good. You also believe that humanity exists to be, in essence, the slaves of the gods, and are completely subject to the whims of the members of the divine pantheon. Furthermore, whatever dignity exists within humanity is entirely invested in males, especially firstborn males. Women are good for child bearing and little else. This is your worldview. These beliefs, more than anything else, form the way you look at the world. And then you find the text of Genesis 1. What happens to you? No one has ever even conceived of these things before! You have no category for what you read here. Creation comes into being, not through divine warfare, but through divine proclamation. All creation is called “good.” Human beings, both men and women, are called “very good.” This changes everything.

The Pattern in the Days

I had been reading Genesis 1 for a long, long time before someone pointed out to me the pattern in the days. Have you ever noticed it before? The first three days line up with the second three days. In other words, day 1 is associated with day 4, day 2 with day 5, and day 3 with day 6. Check out the tabbed table below for more info on the days.

[tabs] [tab title=”Day 1″] On the first day of Creation God made light, separating it from the darkness. He called the light “day” and the darkness “night.” Notice that he hasn’t yet created any celestial bodies to shine or reflect any light, much less anything for the light to shine upon. No light-producers–no sun, moon, or stars. He has simply created light. It’s as though light exists as an empty field or canvas, unpopulated and unmarked. [/tab] [tab title=”Day 4″] Three days later, God created the celestial bodies–the sun, moon, and stars–to govern the passage of days. In other words, God filled or populated the empty field called “light” he made on the first day. Now, light does not simply exist, but serves the function of the passage of time. [/tab] [tab title=”Day 2″] The second day is really interesting because it is the separation of the waters. This concept comes from Ancient Near Eastern cosmology, in which it was understood that there was water behind an “expanse” or “vault” in the sky. This was how they understood the process of rainfall, which, given the scientific understanding of the time, is perfectly reasonable. What happened on this day, though, was that God separated two realms–the sea and the sky. Like on the first day, there are not yet any inhabitants of these realms. They are empty. [/tab] [tab title=”Day 5″] On the fifth day, God created the fish and the birds–the inhabitants of the sea and the sky! He painted an empty canvas on the second day, and then, just as with day four, he filled it up, though this time with beautiful, powerful, awe-inspiring creatures. [/tab] [tab title=”Day 3″] The third day was when God pulled back the waters of the sea and created dry ground. An interesting note about this day is that, unlike with days 1 and 2, the land produced something on day 3–vegetation! This points to the Hebrew understanding that vegetation and land are one and the same, and that the land exists to produce vegetation for… [/tab] [tab title=”Day 6″] Animals and humans! Day 6 is connected with day 3 just like the other two pairs in that God first created an empty field, and then filled that field with his creatures. God created spaces, and then he filled those spaces with creatures. [/tab] [/tabs]

There is an unmistakeable, and, I believe, a God-breathed pattern in the first six days of Creation. God creates a space, and then God fills that space with creatures who give it purpose and life. The order of the Creation text is no accident, and is, in fact, meant to lead us to an understanding of the order of Creation itself. But it leaves us with a question, doesn’t it? What about that seventh day? Why no pair for that day? What does it mean?

Divine Enthronement

The design of Genesis 1 is meant to point us to a profound cosmic reality, one that gets lost in the modern debate over the age of the earth and the origins of the universe. The three pairs of days are meant to point our attention toward the final, unpaired day, and make us ask the question, “What is so special about this day?”

Of course we all know that the seventh day is the Sabbath, the day that God rested. We imagine that this is the day God kicked up his feet, drank some lemonade, and maybe read a good book. Or took a nap. Whatever he did, we think of it as God taking a break from work. But there’s a crucial question that we haven’t been trained to ask, and that is this: “What did it mean, in the Ancient Near East (the culture in which Genesis 1 was written), for a god to take his rest?” In his excellent book The Lost World of Genesis One, John Walton writes that an ancient god always takes his rest in his temple.

So what happens on the seventh day is not so much a prolonged divine lunch break as it is a moving day. God takes his rest in his creation. Creation is God’s temple. God moves into creation. God is present within, while at the same time distinct from, the cosmos he has just created. All creation is God’s holy place. The creation myths of Israel’s neighbors begin, so to speak, with a world already thrust into chaos, sin, and death. But the Hebrew creation story begins with a good creation inhabited by a good and beautiful God–a holy world functioning in perfect harmony because of the presence of its Creator.

It is vital, I believe, for us to understand the world, and ourselves, primarily in the light of God’s original creation. Too many Christians functionally believe that Genesis and 1 and 2 are nothing more than happy myths, faerie tales, and that the Bible doesn’t really start telling the truth of creation until Genesis 3, the fall. Too many Christians think of themselves, the world, and even God, as though Genesis 3 were more true than Genesis 1. But Genesis 1 describes reality as it was and will be again, while Genesis 3 describes reality as it is now but will someday no longer be.

The Living God

Genesis 1 isn’t about geology or biology; it’s about a good Creator creating a good world, a home suitable for creatures that are more like he is than the angels are. On that sixth day, God made human beings, and he made them in his image. This is significant.

In the Ancient Near East, every god’s temple had to have an image–a statue, an inscription–to signify whose temple this was. For example, Dagon’s temple would have an image of Dagon in it. Baal’s would have an image of Baal, and so forth. So what did God choose to put as his image in his temple? Us. Humans. We are the inscriptions, the living statues on earth that testify to every living creature to whom this temple belongs, what sort of God he is, and how we might know him.

If you understand human beings from a Genesis 3 perspective, you would naturally conclude that the God in whose image they were created is a foul, nasty, cowardly, shallow deity bent on sex, food, and power. But if you understand human beings from a Genesis 1 perspective, you would see the Creator God as a good, wise, benevolent deity who sought the best for his creatures. (It’s important to note that Jesus was a Genesis 1 kind of human.) But here’s the most important part: all the images of all the other gods were made of wood, stone, or metal. In other words, they were dead. The breath of life was not in them. But the image of the Hebrew God is made of flesh and blood. It breathes. It moves. It is alive. And if God’s image is alive, how much more alive is that God? Genesis 1 tells us that God is alive because you are alive. You are a living apologetic to the existence of God.

God is not like the other gods. He does not need anyone to make him a house or a temple. He made his own temple and came to dwell within it, setting up his own living images to govern and care for it. His intention was and is for his living images to spread over the earth, subduing it, caring for it, ruling over it in the same way he rules over the cosmos–with wisdom, strength, and mercy. These living images, however, were not merely his minions, created solely to do his bidding. They were and are individual lives, minds, and personalities, meant to know and be known by one another and, most importantly, by God himself. God’s intention has been, from the very beginning, to dwell with humanity within his creation–within the beauty and holiness of his temple. This is the way it was, and to the praise of his glory and grace, the way it will be again.